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Strange and Incredible Myth Behind the Feejee Mermaid

Posted By On 12:10 PM 0 comments
On a warm evening in the summer of 1842, the English gentleman Dr. J. Griffin wandered alone on a deserted tropical beach. He swatted the bothersome insects that buzzed about his head, cursing the muggy weather which caused them to breed in such numbers at this time of year. For Dr Griffin was a fellow of that distinguished organisation, the British Lyceum of Natural History, and was thus no stranger to the wonders – and horrors – that nature is capable of. However, even his learned mind was ill-prepared for what lay around the next bend on this particular evening. For there on the white sands, gasping its last breath, was a being seemingly ripped from the pages of mythology itself…
The 19th century: surely the age of the showman and the hoaxer as much as it was the age of scientific discovery. For every Darwin who stepped forward to enlighten the public by dispelling superstition, there was a Barnum who was happy to provide them with some wonder – for a special discounted fee, of course. And for the price of a half-loaf of bread, any child of the 1840’s who was hard up for a little excitement could witness Dr. Griffin’s stupendous find, the Feejee Mermaid, courtesy of his business associate, Mr. Barnum. An ancient art form in the waters of the far East, these grisly composite animals are still known as ‘Feejee mermaids’ wherever they are found in honour of Barnum’s famous fake.
But while any student of the strange will know that the Feejee mermaid was just another of P. T. Barnum’s infamous hoaxes (as were Dr. Griffin and the fictional ‘Lyceum of Natural History’), only a more dedicated search through the annals of the strange will reveal that he was building on a much older idea. Indeed, it seems that no mythological creature is so improbable or silly that nobody has, with all seriousness, reported an encounter with one.

Medieval tales of mermaids, today dismissed as easily as those of manticores or griffins, climaxed with a less easily-dismissed sighting by none other than Columbus himself. In 1493, Columbus described seeing three mermaids off the coast of Haiti. He wrote that they “came quite high out of the water”, and were “not as pretty as they are depicted, for somehow in the face they look like men.”
It is most often interpreted that what Columbus actually saw was a group of West Indian Manatees, large aquatic mammals native to the Caribbean. A single glance at one of these beasts is enough to convince that if this was the case, Columbus must have been using the word ‘mermaid’ in jest and not literally, as it is difficult to imagine any sailor confusing one of these chunky creatures for a beast that was part human female, even one with a face that was ’somehow’ like that of a man.

That such historical documents are open to interpretation remains a stumbling block for those who wish to track the appearance of strange beasts throughout antiquity. Perhaps Columbus had drunk just a bit too much grog after being too long at sea; perhaps he applied the term as a symbolic name for this new species of animal. Or perhaps he really meant what he said.
Pot-boiler books about the occult abound with other examples which prove difficult or impossible to track down and confirm, however they may fire the imagination of readers.

In 1830 a strange corpse reportedly washed up on the beach at Benbecula in the Outer Hebrides, the wild and storm-ridden islands off the North-West coast of Scotland. It was about the size of a ‘well-nourished’ child, though its breasts, which clearly marked it as being female, were too ‘well-developed’ to have been those of a child. The creature had the hind-quarters of a fish, though without scales. Its skin was pale and its hair was black. According to the folklore collection Carmina Gadelica, the mermaid was actually alive when first spotted, but frustrated villagers who failed to capture and instead stoned it to death. Regardless, town elder Duncan Shaw constructed a tiny coffin for it and gave it a Christian burial. Again, it is difficult to imagine a manatee demanding such treatment.
Three years later, a creature more closely resembling the efforts of Barnum than the seductive sirens of legends was caught alive off the coast of the island of Yell. The upper body was described as being ‘monkeyish’, and the lower body was again like that of a fish. The fishermen responsible kept it in their boat for several hours, after which time its pitiful moaning finally compelled them to return it to the sea. The existence of mermaids has long been an accepted part of Irish and Scottish folklore, where they are known as the ‘maighdean mhara’ (literally, ‘maiden of the sea’.)
Such tales continued well up until the end of the 19th century. 20th century mermaid sightings are sparser. A creature with the upper body of a human female and the hind quarters of a fish was reported by the crew of the Leonidas in 1917 as it traveled from New York to Le Havre in France. This account claims that the being, which had long black hair, swam alongside the ship for six hours, rising itself out of the water for up to fifteen minutes at a time, allowing all the sailors onboard to see it clearly; all agreed that it was a mermaid.

As recently as August 2009, an alleged sighting brought tourists flocking to the town of Kiryat Yam in Israel. The creature appears for just a few minutes at dusk on certain nights. The town’s tourist board are taking full advantage of development, with a 1 million dollar reward for the first person to photograph it.
So what is the dedicated student of Forteana to make of such tales? The problem with most of them is that they occurred so long ago that any investigation carried out would achieve nothing. No new information is likely to come about regarding them; they remain stirring stories from which few conclusions can be drawn. In fact, they are for the most part similar to the folktales of yore in all respects except that they are alleged to be true. Note the similarity between the tale of the Benbecula creature and my own fictional effort at the top of the page. Incapable of being debunked or confirmed, these stories are passed on like legends. As for the Israeli mermaid, in all likelihood the most important lesson it will teach us is that a good idea never dies.

If the human need for wonder is as boundless as the waters of the ocean deeps, than strange tales of merfolk and other such creatures will doubtlessly continue.

10 Peculiarly Precarious Modern Buildings

Posted By On 11:17 AM 0 comments
The world’s worst skyscraper disaster is still fresh in our minds, and every year sees a new calamity in our global obsession with building storey after storey, higher and higher. You would think that all architects would be careful to make their buildings look as stable as mountains. You’d be wrong. Thanks to modern building materials and behind-the-scenes architectural wizardry, the new field of precarious-looking urban architecture is on the rise – as these ten vertigo-inducing examples illustrate.

Capital Gate, Abu Dhabi – the most acutely leaning building in the world. It bows out 18 degrees from the vertical – in comparison, Pisa’s famous tower is only leaning at 3.99 degrees. Technologically ambitious and architecturally stunning, it looks like nothing on earth. (Well, okay, it does look like something in particular, but this is a family-friendly corner of the Web and we refuse to draw certain parallels).
And by the looks of the first concept drawings, Capital Gate was meant to be even more ambitious. How on earth would this design have stayed up? Judging from the reworked shape, the designers couldn’t answer that question either.
If you live in the Danish principality of Rødovre, you may see this queasy-making structure against the skyline. This ‘Sky Village’ is made up of 60 metre square blocks built up around the building’s core. Exactly how is up to the buildiers – meaning that in theory, no two buildings would look alike. We applaud engineering flexibility, but our applause for rock-steady stability is louder. Exactly how will it stay upright, please?
It may look like a bad or possibly drunken attempt at Photoshopping – but the Walters Towers will soon be reality. Forming an enormous W (possibly standing for “weird”), this apartment block complex in Prague is the slightly fevered work of architects Bjarke Ingels Group, and for obvious reasons, uses the latest in load-bearing building materials.
Our questions are endless. Do the lifts go diagonally? Is it safe? How would it fit in with the current Prague skyline? Is it safe? Exactly how is the weight distributed? Oh, and is it safe?
How would you feel about living in a building that looks less built than balanced? This Singaporean residential complex by OMA comprises of 31 six-storey apartment buildings stacked up in a thrilling haphazard manner, with the aim of circulating fresh air around every building. Since this is Singapore, heat loss wouldn’t be a problem – but what about air-con efficiency? And that certainly isn’t a balcony-view for the squeamish.
Costing over $600 million and reaching 51 floors into the blue, the China Central Television Headquarters in Beijing was completed in December 2008. It is built of steel, and its two rakishly-skewed towers had to be joined in the dead of night when the metal was coolest, to prevent expansion distortion. The local nickname? “Big shorts”.
In February this year, it narrowly escaped damage when the nearby Television Cultural Centre caught fire after opening ceremony fireworks went awry. This event has sparked an inquiry into the widespread use of high-explosive fireworks in China – and into the subsequent attempt by national authorities to suppress coverage of the blaze.
Commanding what must be one of the most spectacular views in Sydney, the Holman House teeters on the brink of architectural possibilities. Although not quite as unstable as the above photos suggests, the house juts out from the cliff edge so alarmingly that we commend its current occupants for their nerve (and try to hide our jealousy at having that view). But isn’t the Sydney basin prone to earthquakes?
The new Museum of Image and Sound in Rio de Janeiro is an award-winning response to the question “How unconventional can we make a museum look?” Looking like a stylishly collapsing carpark (ahem, arguably), the front-facing “vertical boulevard” hides galleries, auditoriums and even an outdoor cinema perched on top. No word on what the residents of the surrounding tower-blocks think of this last feature.
Due to open in 2011, the design is meant to channel the energy of the beach promenade, providing an extension of its movement rather than an interruption. If they could turn one side of those steps into a waterslide, we think it would be made completely perfect.
As well as challenging our assumptions and sensibilities, good architecture should make us feel happy. So what about this house from Ensamble Studio that seems designed to perturb, upset and make us permanently uneasy? From the swimming pool sticking out into thin air to the apparently badly-supported slab of concrete poking high above the roof, this void-riddled structure is certainly fascinating and challenging…but is it lovable?
Unlike with Capital Gate, there is no attempt to subvert the shape of the two towers that make Madrid’s Puerta de Europa. These massive structures (115 metres tall) look like conventional skyscrapers – except ones that lean towards each other at a 15-degree angle.
Completed in 1996, they were the world’s first leaning high-rise buildings (so urbanites who suffer from vertigo, you now have someone to blame for the trend). They are positioned so far apart to provide the room for a subway interchange.
The new housing development of Strandkanten in Tromsø, Norway, is 900 decided modernistic homes making best use of reclaimed land – and of design possibilities. The waterfront properties lean out over the water as if they long to go for a dip.

After hundreds of years of straight-up window design, how do we feel about windows that themselves lean out, making it impossible for us to safely do so? And there is the potential problem with all these designs: they’re built for people, and need a warm public response to become a success.

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